Xaviera Hollander, 'The Happy Hooker': Portrait of a Sexual Revolutionary is a documentary about one of the world's most important sexual icons. Interviews with Larry King and commentary from America's foremost sexologists explore Xaviera's rise and fall, her deportation from the United States and Canada, and her political significance to the feminist movement.

Directed by one of Davis' former students, the documentary shows Davis speaking at public rallies and interacting with her students, as well as covering the controversial arrest of Davis in 1970.

Set in 1923, a British author named Marie Stopes is having quite the tumultuous life until one day she attempts to sue Dr. Halliday Sutherland for libel, since she thinks he criticized her birth control clinic. A lawyer named Patrick Hastings comes to represent Stopes, and judge Ernest Charles comes to represented Dr. Halliday Sutherland.

Spirited American heiress Isabel Archer travels to Europe, where she navigates a complex web of relationships, ultimately committing to a fateful marriage to the charming but cruel Gilbert Osmond. This leads to profound disappointment and a tragic realization of her own choices.

A documentary about the making of Jane Campion's 'The Portrait of a Lady'.

In a nostalgic Moscow of 1976, an unlucky actor meets a charismatic writer, a living classic of Soviet literature, who turns his life into a tragicomic farce with the artistic bohemia, foreign-currency prostitutes, the KGB staff and agents of the CIA.

This Hungarian documentary explores the life and career of Olympic Pentathlon champion Andras Balczo. After winning five gold medals in the event, he retired at age 34. He was offered lucrative positions as a coach in many countries but elected to remain in Hungary, despite the fact that he was never permitted to train anyone there.

The story of three Las Vegas showgirls, each at a different stage in her career.

Egoyan juxtaposes home-video images of his son Arshile with a self-portrait of the famed Armenian artist, Arshile Gorky; Egoyan narrates in English, while his wife narrates in Armenian. The self-portrait made from a photo of the artist as a child at the time of the great massacre of the Armenians is used as a focus for meditations on the nature of self-awareness, artistic expression, and the relationship between the artist and the viewer.